Shock

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+		<p id="34">
+		Shock<br />
+		<br />
+		Squeeze—<br />
+		For a drip of blood<br />
+		That bitter-sweet<br />
+		Drip of blood<br />
+		My heart's still an enigma<br />
+		Mysterious, nebulous<br />
+		—Galling.<br />
+		<br />
+		That shadow approached me,<br />
+		Interrogated me,<br />
+		Tortured my spirit,<br />
+		Yet spared my hollow body<br />
+		<br />
+		Squeeze—<br />
+		For a sour drip of<br />
+		Inflammed fester,<br />
+		I fought, but barely<br />
+		<br />
+		The apocalypse;<br />
+		Sepsis.<br />
+		<a href="https://www.andrewyu.org/microblog/#34">&</a>
+		</p>
+		<hr />
 		<p id="33">
 		我觉得喜剧和现实之间常常有着太大的落差。在读喜剧的剧本的时候（我很少看 production），如果我能把自己的情绪陷进去，会形成一种很奇怪的感染性的 optimism；但是这种感觉在现实中会很 illusional。至少从我的那一部分理性考虑，相比于梦幻的乐观主义和…有希望的那种感觉，我更希望让自己理解现实，虽然 evidently 我不怎么会这样做。
 On the other hand, tragedies do in general have a fatalist element consistent with my view of my subjective experience of reality. I don’t think in terms of a reIigious deity, but I like to see exaggerated mirrors of “natural events” and fate that appear in life, rather than attempting to experience an imaginary world that might be deceiving me.